Dracula Review: Luc Besson’s Gothic Romance Hits Theaters – Caleb Landry Jones Shines in R-Rated Vampire Epic

Dracula (Fantasy/Horror/Romance, R) arrives in wide and limited theaters across the US on February 6, 2026, from Vertical Entertainment. Directed by Luc Besson (The Fifth Element, Lucy), this English-language French production reimagines Bram Stoker’s classic as a sweeping, century-spanning gothic love story. Starring Caleb Landry Jones as the tragic Count Dracula, Christoph Waltz as a relentless priest hunter, and Zoë Bleu in the dual role of Elisabeta/Mina, the film clocks in at approximately 2 hours 9 minutes of lush, operatic drama with splashes of horror.

The plot follows a 15th-century prince (Jones) who, after witnessing the brutal murder of his beloved wife Elisabeta (Bleu), renounces God and curses himself into immortality as Dracula. Damned to wander centuries in search of her reincarnated form, he becomes an immortal warlord driven by undying love—only to be pursued by Waltz’s zealous priest determined to end his reign. Blending medieval origins with 19th-century Paris intrigue, the story emphasizes romance and tragedy over traditional vampire gore, featuring Danny Elfman’s evocative score and visually striking gothic aesthetics.

For American audiences, Dracula stands out as a bold, arthouse-leaning take on the iconic monster. Caleb Landry Jones delivers a haunting, committed performance—earnest, intense, and often mesmerizing as the lovesick vampire, complete with dramatic white hair and a mix of melancholy and menace. His chemistry with Zoë Bleu fuels the emotional core, making the eternal longing feel palpable amid Besson’s signature flamboyant style (think opulent sets, interpretive dance sequences, and occasional quirky elements like dancing aristocrats or CG gargoyles). Christoph Waltz brings gravitas to the priest antagonist, though some critics note the supporting roles feel underdeveloped.

This isn’t your typical blood-soaked horror flick—it’s more bodice-ripper romance with horror accents, earning praise for its visual splendor, Elfman’s lush music, and Jones’ standout turn. Reviews highlight its emotionally charged reimagining, though opinions vary: some call it operatic and stylish (“a showcase for Jones”), while others find it inconsistent, silly, or tame on scares (with limited gore for an R rating). Rotten Tomatoes aggregates reflect a mixed but intriguing reception, buoyed by strong lead acting and gothic atmosphere.

Perfect for fans of gothic romance like Interview with the Vampire or Coppola’s Bram Stoker’s Dracula, but with Besson’s eccentric flair. It’s ideal for date nights seeking something atmospheric and adult-oriented—sensual undertones, tragedy, and immortality themes without excessive violence. If you’re into stylish horror-fantasy hybrids or curious about a fresh spin on the Count, this arthouse-infused epic offers plenty to sink your teeth into.

Rating: 7/10 – Ambitious and visually captivating, elevated by Caleb Landry Jones’ unforgettable portrayal. Catch it in theaters starting February 6—tickets on sale now via Fandango and major chains. A must-see for vampire lore enthusiasts craving romance over relentless terror!

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